by blurring the barriers between the studio and home, i have started the series of home settings which actually existed ever since i moved in there, yet not documented.
this particular setting consisted in bringing together parts of the print used in the exhibition and the print that i have decided not to use, the first one, due to a matter of image quality. by doing this, i was inquiring if the appreciation of images comes from repetition and, ultimately, recognition.
keep scrolling for other home settings.
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